Karma Phuntsok, a Tibetan-born artist now living in Australia, creates work that reflects this hybrid existence by using aspects of traditional Tibetan painting in new ways. After fleeing Tibet with his family following what is referred to as the Tibetan Uprising of 1959, Karma Phuntsok eventually studied the traditional Thanka style of painting from a Thanka master in Nepal. Since 1981 he has been living in Australia practicing his art. His application of traditional methods to new uses and settings is a reflection of the existence of the Tibetan culture in exile, forced to adapt to new settings while maintaining a cultural heritage and tradition. In doing so, this art offers his audience a visual model of the mediation between two cultures, which serves a social function within the exiled Tibetan community in addition to its aesthetic purpose.
Guru Rinpoche, Karma Phutsok, 2001
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| Image reproduced with consent of artist. |
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